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  #1  
Vieux 31/01/2009, 10h09
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scarletneedle scarletneedle est déconnecté
#TeamNoPeineàjouir
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Date d'inscription: août 2022
Localisation: Manhattan, au bout d'une toile
Messages: 66 692
scarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Greyscarletneedle ressuscite plus souvent que Jean Grey


Gourvy va pouvoir me le choper!



God Bless Noël!
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Alan Moore :
"I should just keep me mouth shut, I just upset people."
Ma galerie sur Comic Art Fans
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  #2  
Vieux 25/02/2009, 14h31
Avatar de Gassian
Gassian Gassian est déconnecté
French Ducktor
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Date d'inscription: mai 2003
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Gassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme SpidermanGassian est agile comme Spiderman


Citation:
100 pages - May 2009

Experience a “New World Order” in BACK ISSUE #34, featuring the soul-searching story of Counter-Earth’s Adam Warlock, with JIM STARLIN and ROY THOMAS, and the behind-the-scenes history of the revolutionary Marvelman, with ALAN DAVIS and GARRY LEACH. Also, JIM SHOOTER stands tall in an exclusive interview and we look back at Marvel’s New Universe. Plus: Logan’s Run, Star Hunters, BOB WIACEK on Star Wars and Star-Lord, the conclusion of the STEVE SKEATES interview, a new AA COMICS chapter, DICK GIORDANO and PAT BASTIENNE revisit Crisis on Infinite Earths, and “The Post-Crisis DC Universe You Didn’t See”! Contributors include GERRY CONWAY, TOM DeFALCO, DAVID MICHELINIE, PAUL RYAN, and more. All behind an incredibly cosmic Warlock and Thanos cover illustrated by Jim Starlin! Edited by MICHAEL EURY.
Sans surprise, le prochain Back Issue sera encore un "Must have"
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  #3  
Vieux 25/03/2009, 21h25
Avatar de Fred le mallrat
Fred le mallrat Fred le mallrat est déconnecté
Généalogiste sénile
-Généalogiste Sénile--Sentinelle du Temple-
 
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Fred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power GirlFred le mallrat défie la gravite comme Power Girl


Citation:
100 pages - July 2009
Retro reprobates of the ’70s and ’80s get their due in BACK ISSUE 35, our “Villains” issue. MIKE ZECK and J. M. DeMATTEIS discuss the shocking “Kraven’s Last Hunt” in an exclusive “Pro2Pro” interview, while the haphazard history of the horrific Hobgoblin is exposed. Plus: The Joker’s short-lived series, looks back at Secret Society of Super-Villains and Kobra, a Magneto biography, Luthor and Brainiac’s malevolent makeovers, and an all-new interview with Secret Society artist MIKE VOSBURG. Featuring contributions new and old from JOHN BYRNE, GERRY CONWAY, RON FRENZ, IRV NOVICK, CHRISTOPER PRIEST, JOHN ROMITA, JR., ROGER STERN, MARV WOLFMAN, and more. With a gripping Kraven the Hunter cover by Mike Zeck! Edited by MICHAEL EURY.




Citation:
An Issue-By-Issue Field Guide to a Pop-Culture Phenomenon
224 page Trade Paperback - by Pierre Comtois
After being relegated to the realm of children’s literature for the first 25 years of its history, the comic book industry experienced an unexpected flowering in the early 1960s. A celebration of that emergence, Marvel Comics in the 1960s: An Issue-by-Issue Field Guide to a Pop Culture Phenomenon presents a step-by-step look at how a company that had the reputation of being one of the least creative in a generally moribund industry, emerged as one of the most dynamic, slightly irreverent and downright original contributions to an era when pop-culture, from Tom Wolfe to Andy Warhol, emerged as the dominant force in the artistic life of America. In scores of handy, easy to reference entries, Marvel Comics in the 1960s takes the reader from the legendary company’s first fumbling beginnings as helmed by savvy editor/writer Stan Lee (aided by such artists as Jack Kirby and Steve Ditko), to the full maturity of its wild, colorful, offbeat grandiosity. With the history of Marvel Comics in the 1960s divided into four distinct phases, author Pierre Comtois explains just how Lee, Kirby, Ditko, et. al. created a line of comic books that, while grounded in the traditional elements of panel-to-panel storytelling, broke through the juvenile mindset of a low brow industry and provided a tapestry of full blown pop culture icons.

ISBN-13: 978-1-605490-16-8
ISBN-10: 1-506490-16-4
en juillet!!



Citation:
by Jim AMASH with Eric NOLEN-WEATHINGTON - 176 page Trade Paperback
In 1968, Sal Buscema joined the ranks of Marvel Comics and quickly became one of their most recognizable and dependable artists. Following in the footsteps of his big brother John Buscema, Sal quickly came into his own, and penciled some of Marvel’s most memorable storylines, such as the original Avengers/Defenders war, as well as “The Secret Empire Saga” and the Nomad arc in the pages of Captain America. He also had a ten-year run on the Hulk and drew 100 consecutive issues of Spectacular Spider-Man, making him one of the few definitive artists of the Bronze Age. Sal Buscema: Comics’ Fast & Furious Artist, by Alter Ego’s Jim Amash with Modern Masters’ Eric Nolen-Weathington, explores the life and career of this true legend of the comics industry, through an exhaustive interview with the artist, complete with extensive examples of his art, including a deluxe color section, and a gallery of work from Sal’s personal files. Fans love the fast and furious style of Sal Buscema, and this first-ever career-spanning book is guaranteed to please!

ISBN10 1-605490-21-0
ISBN13 978-1-605490-21-2

Click here to order the $46.95 192 page Hardcover Edition (16 more color pages)

En octobre!!!
moi je prends

http://twomorrows.com/
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