Down in the TREME.

[Mast]

Chaque semaine, Treme s'améliore.

Cette semaine, le truc notable c'est une habile redistribution des tâches en plein Mardi Gras. 1h pour se faire rencontrer toutes les storylines et leur donner un petit coup de pied au cul (ou une bonne gorgée d'alcool).

Deux épisodes avant la fin de saison.

Et vu le trailer de la semaine prochaine, avec le retour de Lambreaux et de ses démêlés avec la justice, je sens que je vais me régaler.

[Auteurroriste Zeph]

Oula, j'ai un peu de retard. j'en suis au 5.
La chanson de Davis m'a bien fait marrer quand même.

[MAdroXx]

Davis je pouvais pas le blairer en tant qu'acteur, j'ai eu peur quand il a pris son tournant politique mais là je le kiff bien...

Ya vraiment bonification à chaque épisode..et la BO franchement elle tue

[Mast]

Episode 9

[Auteurroriste Zeph]

	Citation:			Posté par MAdroXx
	Davis je pouvais pas le blairer en tant qu'acteur, j'ai eu peur quand il a pris son tournant politique mais là je le kiff bien... Ya vraiment bonification à chaque épisode..et la BO franchement elle tue

Ouais c'est clair que le perso, il est meilleur d'épisode en épisode.
D'ailleurs, le début du 6 avec sa campagne dans la rue, c'était excellent.
J'attends aussi impatiemment de voir comment ce plot va tourner.

[Mast]

Bon, trop de suspense.

Le trailer du 10 semble confirmer

le suicide de Creighton Bernette.

Mais bon dieu, vivement lundi matin, je tiens plus.

[Mast]

Ah oui, sinon, donc, Treme c'était très bien, la meilleure nouvelle série de l'année, je vois pas trop ce qui pourra rivaliser avec cette marée d'émotions humaines savamment dissimulées dans ce programme de 50 minutes.

Pour ceux qui voudraient écouter la zic de la série: http://songsfromtreme.tumblr.com/
(merci mouahahaha)

[Mast]

Selon Tvguide, dans la saison 2, on suivra entre autres le personnage de Janette à New York et le flic joué par David Morse serait utilisé pour explorer le crime de NOLA.

Je m'attends comme Julian Sancton à ce que l'on fasse une petite plongée dans les bas-fonds que l'on aperçus à quelques occasions dans la saison 1.

[Mast]

Et hop, David Simon confirme:

	Citation:
	One of the things you would do every year on "The Wire" was to greatly expand the cast; we would go to a new part of Baltimore, meet a lot of new people in it. With this show, you have your core group of people, and it's been very character-focused thus far. Are you planning that kind of expansion going into season two or will it still be predominantly about what's happening to this group? No, there will be other stories to tell. Here are some things that couldn't happen in the first 3-7 months after the storm: we couldn't deal with the Road Home money and where all the money went, because Road Home didn't even start up and become a meaningful nightmare until well after a year, when it became clear the money wasn't coming. We could only get to the beginnings of the betrayal of the insurance industry. We could only deal a little with the idea of "Where's the help?" A lot of the money got funneled to politically connected firms that contracted out to the actual firms that did the work. There's a level of scandal that didn't make itself apparent until the time period of the second season. The crime didn't start up again in a significant way until late spring/early summer of the ensuing year, and then it became profound. In some ways, the second year was much harder than the first. In the first year, there was almost an adrenaline to trying to get back and assert for the city, and that sustained people. That adrenaline faded in the second year. The rates of suicide in New Orleans were four times the national average in the year ensuing. The Creighton Bernette story was, in terms of his inability to create, his struggles on his own - because nobody kills themselves just because their city suffers; there has to be something internalized - was not unusual. If you look up the name Stevenson Palfi, a great documentary filmmaker who lost a lot of his material in the floods and struggled to get his next movie made after making a great film called "Piano Players Rarely Play Together," he took his own life. That's not Ashley Morris, we're drawing from that and some other notable suicides that happened in the aftermath and into this second year. There was a second wave political alienation that occurred when a council president who was widely regarded by liberal whites and African Americans as the political future of the city, Oliver Thomas, who was himself indicted for some acts of corruption in that second year. There are opportunities to go into the political and to go into the police department, and a lot of the other things that happened in the police department since. There was a sense that a lot happened during the storm that was covered up in terms of homicide, and that didn't start coming out until the second year. We're actually being true to the thing. In some ways, people outside New Orleans are prisoners of what they don't know, or of what they know now, five years later. But it was unknown at the time; certain things hadn't happened. in the same way, people of New Orleans are prisoners of what they do know. Early on, I was listening to the radio in New Orleans, and someone called in and said, "They got the dome wrong. Superdome, the roof was all torn up. When Lambreaux and his daughter are driving over the bridge, the dome is a clean white." Well, no, the dome, by the November date when we did the pilot, had a fully-completed temporary white top on it. The torn pieces had been removed by November. Nobody remembers that. People were traumatized. We heard there weren't enough refrigerators on the street, but by November, most of them were cleaned up. It's an interesting thing dealing with the real. I value the real, that's the purpose of doing the show, and to cheat that too much for the sake of drama would defeat our purpose.. But some of the people outside New Orleans have no sense of the real or are indifferent to it and want the show to be pure entertainment. And the people in New Orleans, the level of experience they went through is so intense that they're captives to their own memories, which is entirely understandable. So it's an interesting dynamic. And it's different from "The Wire," where it took place in a real city and you were drawing on lots of real events and characters, but all of it was fictionalized in some way. Right. We weren't depicting Baltimore's near-death experience. We were depicting systemic things that had been happening over generations in Baltimore. When we decided to do the school system, we decide, "Okay, this will be a fictional school year, and we can show trends from the last 20 years." Here, there's something we're obliged to show fealty to, for better or for worse: the near-death experience of an American city. It was as if 9/11 had destroyed 4/5 of the real estate of Manhattan. It was that profound a moment for New Orleans. People were scattered across the country. That's too profound an event to play around with that much. We're very conscious of our responsibility there. I make it sound like it's a burden, but it's an extraordinary event and it's worth chronicling and it made the show interesting to do. I'm not complaining. I'm just saying it is. But we're not going to go ahead and say, "Oh, this is the education season." We need to deal with the school system when it comes back, we need to deal with crime. There are other things to do, and new characters to introduce when appropriate. And there are other characters who have been introduced, but facets of them have not been developed. Am I making an erroneous assumption in thinking we're going to see a lot more of David Morse? I think not. It would be very good to have a police POV at the point at which crime erupts, and the federal investigations of the New Orleans Police Department start to compound. That would make perfect sense, wouldn't it? Similarly, while Desiree was out of work and home caring for the baby, we've put her as part of the school system, and we've made reference to the way they've laid off everybody and the school system is not coming back. That has all sorts of manifest issues, not just for the schools, but the black middle class in New Orleans, to have that many people thrown out of work. Nothing stays static, but this is not the show where we're going to be building slices of the city, piece by piece. We're telling the story of the aftermath of a great trauma.

http://www.hitfix.com/blogs/whats-al...ems-season-one

[MAdroXx]

Sacré fin de saison c'est net, par contre SVP débarrassez nous de Soni j'en peux plus!

J'ai déjà hâte de voir la suite

[Auteurroriste Zeph]

ahahah. En fait non.
Les st sont tombés pour l'ép 9. Mais toujours pas pour le 8.

[Mast]

Prends les sous titres anglais, t'es une grande fille, maintenant, non?

[Auteurroriste Zeph]

Moi ça ne me dérange pas.
le problème, c'est ma brune qui adore Treme mais pas les vosta.

[Mast]

Tsss. Une déception constante. J'suis sûr qu'elle mange même pas ses cheeseburgers au-dessus d'une poubelle.

[Auteurroriste Zeph]

Non, la seule personne à faire ça, c'est toi en fait.
Et peut être les clodos, mais eux, c'est pas vraiment par plaisir ou choix.
Contrairement à toi.