News Image VO saison 2013/2014

[EsseJi]

Source : Bleeding Cool

On commence l'année avec une news qui va chagriner tous les lecteurs de Ten Grand : à cause de son absence de réactivité lorsque J. Michael Straczynski voulait le contacter, Ben Templesmith est débarqué de la série. C.P. Smith a accepté de la remplacer. On ne sait pas encore à quel numéro se fera le passage de temoin.

[scapoli]

	Citation:			Posté par arrowsmith
	J'ai cru que c'était du Hickman en couleur

Pareil, il me semble qu'Hickman palpe une dizaine de dollars à chaque fois que quelqu'un sur Terre représente des cercles concentriques. L'ouvrage "dessins géométriques pour cycle 3 - j'apprends la géométrie en dessinant du CE2 au CM2" a même été retiré de la vente dans plusieurs pays pour cette raison.

[scarletneedle]

Source Comicosity

Un 3ème teaser pour un projet par Michael Moreci et Vic Malhotra :

[scarletneedle]

Source Comicosity

Un 4ème teaser pour un projet par Michael Moreci et Vic Malhotra :

[wildcard]

Instructif :

source :
— Brandon Montclare in comments at The Beat

	Citation:
	“Regarding single issue sales: they are incredibly important to a lot of Image creators. On Rocket Girl, it’s by far the biggest chunk (of course, we don’t have a tpb yet). And every reader counts. A few thousand copies can make or break a series. If Rocket Girl dips into the 8000s, we’ll start thinking about when to wrap it up. If it stays above 12,000 we can do it forever. At 12,000 copies I can make as much writing Rocket Girl as Hulk; Amy Reeder can make as much penciling/inking/coloring as she would on Batwoman. 8000 vs 12,000 is a significant difference in percentage, but it’s not a huge amount of readers. A lot of Image creators are in the same boat, albeit their individual line might be a bit higher or lower. Certainly collected editions and digital and ancillary media/merchandise contribute as well. But a lot of making creator-owned work is down to financing: and single issues have the biggest impact on cash flow–and the only impact on cash flow for almost a full year when you take into account early production to ‘get ahead’ as well as solicitation. Also: your comment forgets artists, who are forgotten way to much nowadays. A writer can maybe juggle 4 simultaneous projects, but an artist can do just one book at a time. It is much harder for an artist to make the plunge into creator-owned–so consider that when choosing what to support.”

[scarletneedle]

Quel artiste Mar Millar a pu piquer à Marvel ou DC?

http://www.bleedingcool.com/forums/f...-very-new.html

	Citation:
	Today I'm writing a project you haven't heard about with an artist I've never been linked with. The artist is under a solemn vow of secrecy too, but you'll get word on this around the end of September. In the next eighteen months, now that I've finished Kick-Ass, Jupiter's Legacy Book One, MPH and Starlight, I'm planning to write new books for Sean Gordon Murphy, Bryan Hitch, a sort of manga-inspired, but not-what-you-expect thing for an artist I still haven't decided upon yet plus the second volume of Jupiter's Legacy for Mr Quitely. But this is something else. And just starting something new after quite a while on the same gigs is actually really exciting. You'll hear about it at the end of September and then you'll hear about the other mid-2015 projects around Christmas time. My plan is to write everything between now and maybe January, have them all drawn by March and start publishing them around Easter once everything's in the can. A whole new world awaits. WHO IS THIS SECRET SUPERSTAR ARTIST? And is it Marvel or DC who just lost 'em?

[Fletcher Arrowsmith]

Par contre avant de parler du second volume de Jupiter's Legacy cela serait bien de finir le premier.

[scarletneedle]

Bin, en 2015....

[gillesC]

	Citation:			Posté par MillarüberAlès
	.... now that I've finished Kick-Ass, Jupiter's Legacy Book One, MPH and Starlight, ...

Ben.

[wildcard]

Si ça en intéresse certains, Michael Lark cherche un nouvel encreur pour l'assister sur Lazarus :

http://familycarlyle.tumblr.com/post...king-assistant

[EsseJi]

Et Rucka ne cherche personne pour lui amener du café bien corsé pour qu'il se remue un peu plus au scénario?

[scarletneedle]

Source Comic Book Resources

Une interview d'Ed Brubaker : ici.

[scarletneedle]

Source Comic Book Resources

En octobre, Joshua Williamson et Andrei Bressan débutent Birthright.

	Citation:
	Days before his surprise birthday party, young Mikey Rhodes goes missing. No one is sure what happened -- his father is accused of murder, his mother breaks down at the realization of her deepest fears and his older brother watches as his family falls to pieces. All seems to be lost for the Rhodes until Mikey's miraculous return. But something is different; Mikey is back, but he's not the same boy they once knew. Filled with an extraordinary purpose, Mikey is now on a path to fulfilling a destiny larger, darker and more dangerous than his family can imagine. How can Mikey return to normal life after touching the extraordinary? And what will the rest of his life hold once he's met his destiny?

Une interview de Joshua Wiliamson : ici.

[scarletneedle]

Source Comicvine

La couverture de C.O.W.L. #6 par Joe Bennett :

[scarletneedle]

Source Multiversity

Un teaser pour un projet par Jonathan Hickman en 2015 :

[scarletneedle]

Source Comic Book