[Fred le mallrat]

	Citation:
	100 pages - July 2009 Retro reprobates of the ’70s and ’80s get their due in BACK ISSUE 35, our “Villains” issue. MIKE ZECK and J. M. DeMATTEIS discuss the shocking “Kraven’s Last Hunt” in an exclusive “Pro2Pro” interview, while the haphazard history of the horrific Hobgoblin is exposed. Plus: The Joker’s short-lived series, looks back at Secret Society of Super-Villains and Kobra, a Magneto biography, Luthor and Brainiac’s malevolent makeovers, and an all-new interview with Secret Society artist MIKE VOSBURG. Featuring contributions new and old from JOHN BYRNE, GERRY CONWAY, RON FRENZ, IRV NOVICK, CHRISTOPER PRIEST, JOHN ROMITA, JR., ROGER STERN, MARV WOLFMAN, and more. With a gripping Kraven the Hunter cover by Mike Zeck! Edited by MICHAEL EURY.

	Citation:
	An Issue-By-Issue Field Guide to a Pop-Culture Phenomenon 224 page Trade Paperback - by Pierre Comtois After being relegated to the realm of children’s literature for the first 25 years of its history, the comic book industry experienced an unexpected flowering in the early 1960s. A celebration of that emergence, Marvel Comics in the 1960s: An Issue-by-Issue Field Guide to a Pop Culture Phenomenon presents a step-by-step look at how a company that had the reputation of being one of the least creative in a generally moribund industry, emerged as one of the most dynamic, slightly irreverent and downright original contributions to an era when pop-culture, from Tom Wolfe to Andy Warhol, emerged as the dominant force in the artistic life of America. In scores of handy, easy to reference entries, Marvel Comics in the 1960s takes the reader from the legendary company’s first fumbling beginnings as helmed by savvy editor/writer Stan Lee (aided by such artists as Jack Kirby and Steve Ditko), to the full maturity of its wild, colorful, offbeat grandiosity. With the history of Marvel Comics in the 1960s divided into four distinct phases, author Pierre Comtois explains just how Lee, Kirby, Ditko, et. al. created a line of comic books that, while grounded in the traditional elements of panel-to-panel storytelling, broke through the juvenile mindset of a low brow industry and provided a tapestry of full blown pop culture icons. ISBN-13: 978-1-605490-16-8 ISBN-10: 1-506490-16-4

en juillet!!

	Citation:
	by Jim AMASH with Eric NOLEN-WEATHINGTON - 176 page Trade Paperback In 1968, Sal Buscema joined the ranks of Marvel Comics and quickly became one of their most recognizable and dependable artists. Following in the footsteps of his big brother John Buscema, Sal quickly came into his own, and penciled some of Marvel’s most memorable storylines, such as the original Avengers/Defenders war, as well as “The Secret Empire Saga” and the Nomad arc in the pages of Captain America. He also had a ten-year run on the Hulk and drew 100 consecutive issues of Spectacular Spider-Man, making him one of the few definitive artists of the Bronze Age. Sal Buscema: Comics’ Fast & Furious Artist, by Alter Ego’s Jim Amash with Modern Masters’ Eric Nolen-Weathington, explores the life and career of this true legend of the comics industry, through an exhaustive interview with the artist, complete with extensive examples of his art, including a deluxe color section, and a gallery of work from Sal’s personal files. Fans love the fast and furious style of Sal Buscema, and this first-ever career-spanning book is guaranteed to please! ISBN10 1-605490-21-0 ISBN13 978-1-605490-21-2 Click here to order the $46.95 192 page Hardcover Edition (16 more color pages)

En octobre!!!
moi je prends

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