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	Citation:			Posté par Career
	Mazzucchelli received his BFA from the Rhode Island School of Design and started working in comics in the early 1980s. He started at Marvel Comics where, after a few various issues, he became the regular artist on Daredevil. He developed his skills working with writer Denny O'Neil and culminated his work on this title with the popular and critically acclaimed Daredevil: Born Again story arc, written by Frank Miller (now collected in graphic novel form). Mazzucchelli began as a traditional superhero artist but over the span of his time on Daredevil, his work gained in confidence and employed expressionist techniques. Miller and Mazzucchelli collaborated again on the four-issue story Batman: Year One, serialized in issues 404 through 407 of DC Comics' monthly Batman title. The story, since collected as a graphic novel, was also well-received and influential in the comics industry. After Batman: Year One Mazzucchelli abandoned the superhero genre to focus on more personal projects.[2] He published three issues of his own independent anthology, Rubber Blanket, co-edited by his partner, the painter Richmond Lewis. With writer/artist Paul Karasik, he illustrated an adaptation of Paul Auster's City of Glass, published first by Avon Books in 1994, then by Picador in 2004 as City of Glass: The Graphic Novel. (Auster's later book The Brooklyn Follies features a character with the name Nancy Mazzucchelli, an homage to David.) In 2009, Pantheon Books published Mazzucchelli's first graphic novel, Asterios Polyp.[3] Mazzucchelli has also done illustration work for various publications, including interior pieces and covers for The New Yorker.[volume & issue needed] Mazzucchelli taught comic-related courses at the Rhode Island School of Design and the School of Visual Arts in New York City for several semesters, and is a BFA faculty member at the School of Visual Arts.[4]