Hello Darkness #4
 

Source AIPT

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Your Chilling First Look at HELLO DARKNESS #4

When the lights flicker out, what’s waiting for us in the darkness?

LOS ANGELES, CA (September 26, 2024) – BOOM! Studios today revealed a terrifying first look at HELLO DARKNESS #4, the horrifying continuation to the brand new ongoing anthology series featuring what BOOM! Studios is known for–the best in modern Horror, Fantasy, and Mystery, not to mention the darkest stories yet from a murderer’s row of world class creators including R.L. Stine, Francesco Francavilla, Garth Ennis, Becky Cloonan, James Tynion IV, Werther Dell’Edera, John Arcudi, Ryan Sook, Cullen Bunn, Daniel Bayliss, Sas Milledge, Sarah Gailey, Liana Kangas, Marguerite Bennett, Luana Vecchio, Michael W. Conrad, Martín Morazzo, Andy Lanning, Trevor Hairsine, Steve Orlando, A.L. Kaplan, Genevieve Valentine, Ming Doyle, Jude Ellison S. Doyle, Letizia Cadonici, Sarah Andersen, Chuck Tingle, Robert Hack, and more! Everything from primal fears to modern political horrors will be explored, in the classic style of Creepy and Eerie and the contemporary chills of Black Mirror.

In the next issue of this groundbreaking horror anthology featuring the top creators in the industry at their absolute darkest, Garth Ennis and Becky Cloonan unveil part 4 of The War, where two couples fight for survival in New York, but it’s not just the world around them crumbling, as the long night stretches on. In addition, All Eyes on Me by Chloe Brailsford, Dying for Quiet by writer Shawn Boyd, artist Elijah Henry, colorist Jason Wordie, and letterer Taylor Esposito, and more madcap madness in I Can’t Take You Anywhere by Robert Hack.

HELLO DARKNESS #4 features a main cover by Paolo Rivera (Daredevil), and variant covers by Jenny Frison (Something is Killing the Children), Jay Shaw (Coda), a Halloween variant by Frazer Irving (Necronauts), and a limited BOOM! Studios Direct Reserve exclusive variant by Jenny Frison!

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ça donne quoi ce titre? ça me botte, sans mauvais jeu de mot

C'est comme pour toutes les athology, il y a à prendre et à laisser.
Perso j'ai plus aimé le contenu du #2 que du premier. Il y a une série à suivre en chapitres par Ennis et Cloonan que je trouve réussie, car l'horreur se situe dans notre époque et ses enjeux géo-politiques, hyper effrayant cette vision de l'apocalypse ambiante.
Sinon je trouve tout de même ça cher pour ce que c'est, ça n'a pas la qualité de papier des titres EC de chez ONI.